Portrait of Donna

portrait

This image is part of a series featuring a new technique I've been experimenting with. Portrait of Sarah was done with the same technique.

Philip Nealey is an Omaha Nebraska based portrait, lifestye and food Photographer / Photoshop expert .

To see more phtotography and digttal imageing visit nealeyphoto.com or direct Portraits, Children, Retouching - before&after


Posted via email from Philip Nealey


Portrait of Sarah

Philip Nealey is an Omaha Nebraska based commercial Photographer and Photoshop expert .

Posted via email from Philip Nealey


2011 Site Changes

The site has been going through a few changes in the past few months mainly to integrate my client website with my main site and make it as seamless as possible. It is now sporting a lighter and a updated logo. My client area is powered by PhotoShelter and allows you to view, comment and purchase images or prints. The "About The Client Area" now has some help videos posted for new clients. Stay tuned... more updates are coming.


Bill’s Hands

We met Bill at the Wyo Rodeo. He was working for the U.S Forest service. While taking his portrait I noticed the hands of someone who works hard for a living.


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Click on photo for a larger image.


The Baker, Flour and Dough

This is one of my favorite photos. It was shot in the studio to look like it was natural light however I used strobes*. It was originally done as a portfolio image but has always sold well as a stock photo.

Baker prepping work suface

You can license it as a stock photo at Getty Images HERE

*For those of you interested in the technical details: This was shot with a 6x6 silk(diffusion panel) to the left and a white foamcore flat for fill on the right. For several shots in this series I used two Speedotron heads positioned to shoot through the silk and changed their position depending on the look I was after. I sometimes gelled the head in front warmer and the one in back cooler. Where the light overlapped they in effect canceled each other out but added depth of color to my eye. I think it also gives the effect of the mixed lighting you might encounter on a location with warmer interior lights and cooler window light (just the thing we try to eliminate on location). The effect can be very subtle as in the above shot or can be more pronounced depending on the subject and how you position the lights (and of course how much you gel the lights).